Forgive me and help me

Good Friday services are quiet and dark, no matter the lighting. To fit the mood, last night's music included old pieces which I imagined being sung by medieval voices within echoing stone walls.

It is natural to feel guilty on Good Friday, and so that's where I went. I forced myself to continue exploring my own personal sin-monkey, the grand poobah: pride. Unfortunately my pride takes the most ugly and inexcusable form: it is spiritual.

When I first began this blog I wrote with conviction that the view of spirituality I was exploring was the right one. I thought I had discovered the fullness of faith, and was simply entering into it and trying to share it. The beauty and majesty of what I studied kept me in a state of breath-constricting wonder. All I wanted to do was help others enter into the same place. To share the joy and "rightness".

My desire to share the beauty was good. But the pride I took in my stance was not good.

It is now several years later. The awe continues, but the theology has shifted. Considerably. The Catholicity that I find so gorgeous is under review. Not dismissed, not tarnished, but evaluated. God set me on a road of such strange beauty and love that I have no choice but to revise my understanding.

That revision remains under way. Who knows where it will eventually lead. So far it has led to an increased focus on Christ's teaching of love, and in particular, on His words about the Law.

I find myself engaging in a new form of debate, from a position polar opposite to the one I formerly held.

What I've discovered this Holy Week is that I'm still a judger of right. I'm still full of pride in knowing that opposing Christian views are "wrong".

My focus is now on the love of God rather than on the law of God, and that's good. But my judgementalness is still there, and that's not good. I still yell "Crucify him!" with the rest of the crowd.

Please Lord, help me not to be a pharisee. On your most holy day of resurrection, forgive me and help me.

Heart's violin

I have been thinking about "speaking in tongues" and "prayer languages" (which, by the way, are not the same thing. But I'm not doing apologetics in this post).

I debated about whether to write about it here, given that it is one of those polemical topics which can scare readers or get me labeled as a charismaniac. But given the impact the topic is having on my thoughts and on my relationship with God, I guess I'll just take the leap and pray that you hop on for the ride.

I'll spare you the details of how it unfolded, other than to say that my darling DiDi's prayer brought it about. She released it. It came pouring out immediately after she prayed that I be used powerfully for healing. As I prayed for 5-6 people and situations who came up to my group with requests, I focused entirely on this newly unleashed voice. My team partner prayed with them conventionally, addressing the needs they raised. But as for me, sound poured out from my heart without stopping for processing into thoughts and words.

(By the way; it isn't a particularly pretty sound. It's full of weird non-American-English-sounds and mouth formations, along with some clicky Aftrican sounds and sibilants. Not a thing of beauty as one might hope. Nothing flowing and melodic.)

It was an astonishing prayer session. The Holy Spirit fell heavily as I received His body on my tongue, and by the time we were finished praying for everyone I felt spent as after a night of love. Not tired out, not weary or exhausted, but both filled and poured out.

It was lovely.

A few days later, I prayed for my dear friend while driving. Since I was by myself, there was no self consciousness and I didn't have to worry about volume.

And so I prayed this way, on and on, my heart soaring and aching the way it does when listening to a passionate violin concerto.

The prayer poured out as if it were music, unfettered and unformed by the word processing of my mind. My mouth became an instrument transmitting the vibrations of my heart.

My soul sang to God.

(More on this subject to come...)

Ode on a Grecian Urn

Thou still unravish'd bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e'er return.

O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.'

-- John Keats

Love you Janis

On Saturday night I went to see a local production of "Love, Janis". It was unbelievable (in a good way).

First off, I confess that I've always been a Joplinaphobe, lumping her in with Hendrix and a few of their contemporaries who's psychedelically strident style always made me feel too high with no way to come down.

(And not in a good way.)

I was born a few years to late to get the whole hippy thing. Not to mention that when buzzed I preferred either the humorous (ala Zappa) or the trippy mellow (ala Pink Floyd). I just never understood the screaming, jangling, psychodelic vibe. My nerves couldn't take it.

But I digress.

Given my predilections and prejudices, I never knew that Janis was rich, and soulful, and bluesy. Not sure how I could have not known it, but I didn't. I also didn't know she had a southern dialect. Or that 27 is so desperately young an age at which to die.

Her story in this show, told through real letters to her family, song, and snippets from interviews with the media, portrays a hungry heart. A heart which yearned the way this blog yearns. It presented one talented girl's search to fill that hunger in all the wrong ways. The beauty of her soul shone through and all you wanted to do was save her.

All I wanted to do was save her.

To show her He who loves her. He who is all in all.

I wonder if she is in heaven? If she is, I imagine that she may be one of the specially beloved ones; she was so very, very hungry.

I'm going to buy some of her music. And perhaps add her to my list of souls I request to pray for me.

George MacDonald on Truth, Joy and Sorrow

From Phantastes:

"From this I was partly aroused by a glimmering of white, that, through the trees on the left, vaguely crossed my vision, as I gazed upwards. But the trees again hid the object; and at the moment, some strange melodious bird took up its song, and sang, not an ordinary bird-song, with constant repetitions of the same melody, but what sounded like a continuous strain, in which one thought was expressed, deepening in intensity as evolved in progress. It sounded like a welcome already overshadowed with the coming farewell. As in all sweetest music, a tinge of sadness was in every note. Nor do we know how much of the pleasures even of life we owe to the intermingled sorrows. Joy cannot unfold the deepest truths, although deepest truth must be deepest joy. Cometh white-robed Sorrow, stooping and wan, and flingeth wide the doors she may not enter. Almost we linger with Sorrow for very love."

Inexpressible

After silence, that which comes nearest to expressing the inexpressible is music.

-- Aldous Huxley

Pooh wisdom (4)

“Poetry and Hums aren't things which you get, they're things which get you. And all you can do is go where they can find you.”

Background Music

Sometimes
the need to say I love you
is so strong
that it becomes the score against which
every word I speak is played

--Chantelle Franc

Friendship set to music

Love is friendship set to music.

--Edward Pollock

Love Song

Love Song

How can I keep my soul in me,
so that it doesn't touch your soul?
How can I raise it high enough,
past you, to other things?
I would like to shelter it,
among remote lost objects,
in some dark and silent place
that doesn't resonate when your depths resound.
Yet everything that touches us,
me and you,
takes us together like a violin's bow,
which draws one voice out of two seperate strings.
Upon what instrument are we two spanned?
And what musician holds us in his hand?
Oh sweetest song.

--Ranier Maria Rilke

Kithara's Lament

I wait with my sister
my twin
for him to come.

He walks through the door
and moves toward us.

I wonder;
will it be me?

He picks her up
pulls her into his lap
caressing her curves
cradling her neck
and begins to play.

His hands move across her strings
pressing, plucking, strumming
as music fills the air.

My strings respond to each chord
vibrating, resonating
humming subtly
hollowness yearning to be filled
to be played
to sing along
to feel the wonder of the music-maker’s touch.

Instead, I hum
and wait in hope
for the someday that will come
when he who plays
will fill me with song.

And I will sing.

--Chantelle Franc