From Chance or the Dance? by Thomas Howard, Ch1, pg 12-13:
"...it did not mean nothing that the sun went down and night came and the moon and stars appeared and then dawn and the sun and morning again and another day, which would itself wax and then wane into twilight and dusk and night. It did not mean nothing to them that the time of work was under the aegis of the bright sun and that it was the sun that poured life into the seeds that they were planting and that brought out the sweat on their forehaeds, and that the time of rest was under the scepter of the silver moon. This was the diurnal exhibition of what was True--that there are a panoply and a rythm and a cycle, a waxing and a waning, a rising and a setting and then a rising again. And to them it was not for nothing that the king wore a crown of gold and that the lord mayor wore medallions. This was the political exhibition of what was, in fact, True--that there are royalty and authority and heirarchy at the heart of things and that it is possible to see this in lions and eagles and queen bees as well as in the court of the king. To them it was not for nothing that a man went in to a woman in private and uncovered her and knew ecstasy in the experieince of her being. This was simply a case in point of what was True anyway--that there is a mystery of being not to be thrown open to all, and that the right knowledge of another being is ecstatic, and that what appears under these carnal forms is, in fact, the image of what is actually True.
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