You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer
itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.
-- Franz Kafka
Suzanne DeWitt Hall's blog highlighting the idea of a theology of desire, featuring the writing of great minds along with her own humble efforts at exploring the hunger for God. (Note: Most of this blog was written under Suzanne's nom de couer "Eva Korban David".)
Showing posts with label Ecstasy. Show all posts
Showing posts with label Ecstasy. Show all posts
Sunday, April 25, 2010
Monday, April 19, 2010
Pale, diluted earthly metaphor
From The Night is Far Spent:
What if we don't marry in heaven because we will have won through, via the kindergarten lessons of marital fidelity, or of consecrated chastity, here in this realm, to that unimaginably blissful state of affairs where we will know all other selves with an ecstasy far, far outstripping the pale, diluted earthly metaphor of sex? What if sex is the hint--the metaphor--and its fulfillment in paradise, far from being an attenuation, is a great raising of the stakes, so that our elementary experiences down here in marital union will turn out to be just that: elementary?
--Thomas Howard
What if we don't marry in heaven because we will have won through, via the kindergarten lessons of marital fidelity, or of consecrated chastity, here in this realm, to that unimaginably blissful state of affairs where we will know all other selves with an ecstasy far, far outstripping the pale, diluted earthly metaphor of sex? What if sex is the hint--the metaphor--and its fulfillment in paradise, far from being an attenuation, is a great raising of the stakes, so that our elementary experiences down here in marital union will turn out to be just that: elementary?
--Thomas Howard
Monday, October 12, 2009
It does not mean nothing
From Chance or the Dance? by Thomas Howard, Ch1, pg 12-13:
"...it did not mean nothing that the sun went down and night came and the moon and stars appeared and then dawn and the sun and morning again and another day, which would itself wax and then wane into twilight and dusk and night. It did not mean nothing to them that the time of work was under the aegis of the bright sun and that it was the sun that poured life into the seeds that they were planting and that brought out the sweat on their forehaeds, and that the time of rest was under the scepter of the silver moon. This was the diurnal exhibition of what was True--that there are a panoply and a rythm and a cycle, a waxing and a waning, a rising and a setting and then a rising again. And to them it was not for nothing that the king wore a crown of gold and that the lord mayor wore medallions. This was the political exhibition of what was, in fact, True--that there are royalty and authority and heirarchy at the heart of things and that it is possible to see this in lions and eagles and queen bees as well as in the court of the king. To them it was not for nothing that a man went in to a woman in private and uncovered her and knew ecstasy in the experieince of her being. This was simply a case in point of what was True anyway--that there is a mystery of being not to be thrown open to all, and that the right knowledge of another being is ecstatic, and that what appears under these carnal forms is, in fact, the image of what is actually True.
"...it did not mean nothing that the sun went down and night came and the moon and stars appeared and then dawn and the sun and morning again and another day, which would itself wax and then wane into twilight and dusk and night. It did not mean nothing to them that the time of work was under the aegis of the bright sun and that it was the sun that poured life into the seeds that they were planting and that brought out the sweat on their forehaeds, and that the time of rest was under the scepter of the silver moon. This was the diurnal exhibition of what was True--that there are a panoply and a rythm and a cycle, a waxing and a waning, a rising and a setting and then a rising again. And to them it was not for nothing that the king wore a crown of gold and that the lord mayor wore medallions. This was the political exhibition of what was, in fact, True--that there are royalty and authority and heirarchy at the heart of things and that it is possible to see this in lions and eagles and queen bees as well as in the court of the king. To them it was not for nothing that a man went in to a woman in private and uncovered her and knew ecstasy in the experieince of her being. This was simply a case in point of what was True anyway--that there is a mystery of being not to be thrown open to all, and that the right knowledge of another being is ecstatic, and that what appears under these carnal forms is, in fact, the image of what is actually True.
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